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The INET-md researchers, Helena Marinho, Mónica Chambel, Alfonso Benetti, along with Luís Bittencourt and Joaquim Branco, have published a chapter in the book "Recorded Music in Creative Practices: Mediation, Performance, Education," edited by Georgia Volioti and Daniel Barolsky, and recently released by Routledge (London, United Kingdom).
 
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The chapter, titled "From Magnetic Tape to Digital Media," discusses the contribution of performative and collaborative approaches in artistic research to the recreation of works by the Portuguese composer Constança Capdeville (1937-92). The research specifically focused on issues of recovery, reuse, and creation of audio content associated with three of her music-theater works: "Don't, Juan" (1985), "Double" (1982), and "Avec Picasso, ce matin..." (1984).