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GIEHCM Seminar | From manuscript to recording: Research, performance and phonographic edition of Portuguese baroque repertory
PERMANENT SEMINAR IN HISTORICAL AND CULTURAL STUDIES IN MUSIC
The Permanent Seminar of the research group Historical and Cultural Studies in Music of INET-md intends to be a forum where all its members (integrated and collaborators), as well as other invited researchers from the academic, cultural and artistic circles, may present their work and discuss ongoing projects and research.
22-02-2024 | 6 pm | Edifício Música, Instituto Politécnico do Porto – Escola Superior de Educação | Room B101 - "Salão de Música"
Free access, in person and online:
Zoom Room
Meeting ID: 973 3938 4163Pass code: 142122
From manuscript to recording: Research, performance and phonographic edition of Portuguese baroque repertory
Round table with:
Diana Vinagre | INET-md
Fernando Miguel Jalôto | INET-md
César Nogueira | INET-md
Chair:
Tiago Hora | INET-md
In 2023, three discographic albums featuring works from the 18th-century Portuguese Baroque were presented to the public. These first recordings provide access to a highly representative selection of instrumental music, both orchestral and chamber, spanning a broad period. The repertoire encompasses compositions published or created between approximately 1730 and 1780, found in diverse musical sources. The recordings, produced by the Portuguese groups Real Câmara Baroque Orchestra, Ensemble Bonne Corde, and Ludovice Ensemble, result from specialized interpretative work and extensive and indispensable research. This research involved the identification, transcription, editing, and, in several cases, completion or re-composition of the repertoire. The artistic directors of the various groups led this effort, coordinating scientific and artistic aspects, along with the rest of the team of artists, researchers, and technicians. This roundtable seeks to succinctly present the various stages, cooperation, and correlation of the various processes, tasks, and agents. It aims to reflect on the felt needs and inherent specificities, as well as to consider the final — scientific and artistic — outcome of each of these projects and their relevance to the practical application of musicological research in Portugal.
Albums:
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Lusitano Impero; works by Pedro Jorge Avondano, Francisco António de Almeida; Giovanni Bononcini; Rinaldo di Capua; Real Câmara Baroque Orchestra; Passacaille, 2023.
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António Pereira da Costa: Concerti Grossi; works by António Pereira da Costa; Ensemble Bonne Corde; Ramée| Outhere, 2023.
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Assembleia das Nações Estrangeiras; works by Pedro Jorge e Pedro António Avondano; Ludovice Ensemble; MPMP, 2023.
Diana Vinagre | After completing her studies at the Academia Nacional Superior de Orquestra in Lisbon, under the guidance of Paulo Gaio Lima, Diana's long-standing interest in historically informed performance led her to the Royal Conservatoire of The Hague, Netherlands. In the class of Jaap ter Linden, she earned both her Bachelor's and Master's degrees in Early Music with distinction, receiving the Top Talent Scholarship. She has been actively involved with several renowned early music ensembles, including the Amsterdam Baroque Orchestra, European Union Baroque Orchestra, Cappella Mediterranea, L’Arpeggiata, Les Arts Florissants, Orchestra of the 18th century, Le Cercle de l’Harmonie, B’Rock, Ludovice Ensemble, Holland Baroque, and Divino Sospiro. In 2009, she founded the Ensemble Bonne Corde, specializing in 18th-century cello repertoire. As a researcher, Diana focuses on the study of the cello in Portuguese sacred music, which was the main subject of her doctoral thesis at NOVA FCSH, supervised by Rui Vieira Nery and Cristina Fernandes. In 2021, she co-founded the baroque orchestra Real Câmara with the double bassist Marta Vicente. Under the direction of the Italian conductor and violinist Enrico Onofri, Real Câmara is dedicated to the recovery of Portuguese baroque musical heritage. Diana Vinagre is also a Baroque Cello professor at Escola Superior de Música do Porto.
Fernando Miguel Jalôto | Performer specialized in historical keyboard instruments (harpsichord, organ, clavichord, organetto, etc.); maestro al cembalo; researcher/musicologist; founding member and artistic director of the Ludovice Ensemble. He collaborates with groups such as Oltremontano, La Galanía, La Colombina, Capilla Flamenca, Collegium Musicum Madrid, Ensemble Bonne Corde, Ensemble Allettamento, and Real Câmara, among others. As a conductor, he directed major works by Monteverdi, Bach, A. Scarlatti, Charpentier, Lully, Bourgeois, and Rameau, in venues such as the Gulbenkian Foundation, the CCB and the Bruges and Utrecht festivals, with the Ludovice Ensemble, the Jerusalem Baroque Orchestra, the Croatian Baroque Ensemble, the Orquestra das Beiras and the Sinfonietta de Braga. He is tutor and conductor of the Benslow baroque opera course (Hitchin, United Kingdom) and the Lisbon 1740 Project (Catalonia). He performed solo and as a basso continuo player with the Casa da Música Baroque Choir and Orchestra, Gulbenkian Choir and Orchestra, Divino Sospiro, Lyra Baroque Orchestra, Real Escolania de San Lourenço d'El Escorial, Norwegian Broadcasting Orchestra, Camerata Academica Salzburg, Galicia Symphony Chamber Orchestra, Royal Filharmonia of Galicia, Porto Symphony Orchestra, Lisbon Metropolitan Orchestra, among others. He has recorded for Ramée/Outhere, Brilliant Classics, Dynamic, Harmonia Mundi, Glossa Music, Parati, Anima & Corpo, Conditura Records, Mezzo, ARTE and RTP. He has given solo organ and harpsichord recitals in Portugal, Spain, Belgium, the United Kingdom and the Netherlands. He studied at the Royal Conservatory of The Hague (Netherlands) with Jacques Ogg — Bachelor and Master Degrees in Harpsichord and Historical Performance Practices — also studying baroque organ and clavichord. He attended master-classes with Gustav Leonhardt, Olivier Baumont, and Ilton Wjuniski, among others. He has a Master's degree in Music from the University of Aveiro, and is following a doctorate in Musicology at NOVA FCSH, having published articles and book chapters in Revista Portuguesa de Musicologia, Sociedade Espanhola de Musicologia, Voltaire Foudation/Liverpool University Press and Libreria Musicale Italiana.
César Nogueira | He completed a Master's degree in Music in 2021 from the Escola Superior de Música de Lisboa (IPL) and a Degree in Music Teaching in 2010 from the University of Aveiro. César Nogueira has been a member of the Orquestra Barroca Casa da Música since 2009. The close collaboration with this orchestra allowed him the possibility of working with prestigious conductors, including Laurence Cummings, Christophe Rousset, Rinaldo Alessandrini, Masaaki Suzuki, Andrew Parrott, Paul Hillier, Harry Christophers, Hervé Niquet, among others. During his professional career he had the opportunity to collaborate as a guest musician in several orchestras and groups, including Remix Ensemble, Orquestra Nacional do Porto, Orquestra Metropolitana de Lisboa, Ludovice Ensemble, Concerto Campestre, Alma Mater, Orquestra Gulbenkian and Divino Sospiro, having worked with Peter Rundel, Heinz Holliger, Pedro Neves, Miguel Jalôto, Evgeny Bushkov, Michael Zilm, Emilio Pomàrico, Massimo Mazzeo, among others. In 2014 and 2015, he was selected to participate in the Remix Summer Academy, a course focused on contemporary music. In the field of early music, he participated in Masterclasses with Enrico Onofri (San Leo), Ryo Terakado and Susanne Scholz (Urbino), and Enrico Gatti (Casa de Mateus). In 2019 he was selected to play solo in the project "La Primavera de La Risonanza", under the direction of Fabio Bonizzoni and John Holloway, in Milan. In 2020 and 2021 he participated in the Ensemble Academie, promoted by the Freiburg Barockorchester, having studied with Gottfried von der Goltz and Petra Müllejans. He has recorded for Naxos, Harmonia Mundi, Glossa and Passacaille with the groups Concerto Campestre, Orquestra Barroca Casa da Música, Divino Sospiro, Real Câmara and Ludovice Ensemble. Currently, he is pursuing his PhD in Musical Sciences at NOVA FCSH. His research proposal is related to the court composer of the second half of the 18th century, João Cordeiro da Silva.
Tiago Manuel da Hora | Producer and musicologist, Tiago Manuel da Hora is an integrated researcher at INET-md, where he has dedicated himself to researching the history of Portuguese music and record production. He has a PhD in Musical Sciences from NOVA-FCSH, under the supervision of Rui Vieira Nery. He had a research contract at NOVA-FCSH as part of the INET-md project "PROFMUS - Ser músico em Portugal: a condição socioprofissional dos músicos em Lisboa (1750-1985)" | PROFMUS - Being a musician in Portugal: the socio-professional condition of musicians in Lisbon (1750-1985). He is the author of several book publications, including Espólio Manuel Ivo Cruz: Música Manuscrita Portuguesa e Brasileira (2013), Joaquim Simões da Hora: Intérprete, Pedagogo e Divulgador (2015) and Fernando Lopes-Graça e Eugénio de Andrade: o diálogo entre a música e a poesia (2018), as well as articles and book chapters for scientific and artistic publications in Portugal and abroad. He regularly participates in scientific meetings in the field of music research, free courses in Music History, as well as curatorships in the field of cultural history. He is an assistant professor of Musical Sciences at the Escola Superior de Educação - Instituto Politécnico do Porto. Between 2013 and 2017 he represented Portugal as an associate member of the Association Européenne des Agents Artistiques, based at the European Union House of Culture (Brussels). Over the last decade he has developed an intense activity around phonographic production, signing the production and direction of recordings for several prestigious national and international labels.
