| Marco Roque de Freitas | 2024 | Artigo | ‘Lost & Found’ or ‘Requiem for the new Mozambican man’: Musicking transition from a socialist single-party to a capitalist multiparty system (1987–1994) | 
											
															| Helena Marinho, e.o | 2024 | Artigo | Music performance anxiety: A study of anxiety predictors in higher education music students in Portugal | 
											
															| André Fonseca, e.o | 2024 | Artigo | Inclusion of Traditional Azorean Songs in Musical Learning- Informal Practices in Violin Teaching | 
											
															| Cristina Fernandes | 2024 | Capítulo | Portuguese Patronage in Rome and the Economics of Magnificence: La Virtù negl’amori by Alessandro Scarlatti at the Teatro Capranica (1721) | 
											
															| Gilvano Dalagna, Jorge Salgado Correia | 2024 | Artigo | Investigação artística é criação | 
											
															| Dora Queiroz, e.o. | 2024 | Artigo | Investigating if and how string teachers instruct and support the self-regulation of students’ practice in online lessons | 
											
															| Caio Mourão | 2024 | Atas de Conferências | É, nesta Lisboa, figura de proa da nossa canção: visões das Fado Bicha através das televisões | 
											
															| Sofia Serra, e.o. | 2024 | Artigo | Video-based categorization system and frequency analysis of gestures in saxophone playing | 
											
															| Andrew Snyder, e.o. | 2024 | Artigo | "Pathways for a Justice-Oriented Ethnomusicology" | 
											
															| Tiago Manuel da Hora, e. o. | 2024 | CDs | Gravação integral da coleção "Flores de Musica", de Manuel Rodrigues Coelho (ca. 1555-1635) |