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Helena Marinho. Mónica Chambel, Alfonso Benetti |
2024 |
Chapter | From magnetic tape to digital media
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Caio Mourão |
2024 |
Article | "Ai Quanto do Teu Sal...": The Counter-Colonizing Tears of Fado Bicha and Portugal
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|
Gustavo Afonso |
2024 |
Article | “Nove Instantâneos” para piano de Macedo Pinto: fontes, contextos e contributo pedagógico
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Gilvano Dalagna, Jorge Salgado Correia |
2024 |
Book | Teaching Music Performance in Higher Education: Exploring the Potential of Artistic Research
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Hélder Sá |
2024 |
Chapter | Chamber Music 1850-1918: Violin and Chamber Music in Lisbon in the Early Days of the Republic
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|
INET-md |
2024 |
Launch | Cadernos do Arquivo Municipal de Lisboa: Escritos em Liberdade
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Alfonso Benetti, Aoife Hiney |
2024 |
Article | Art-cycle model: a holistic approach toward artistic experience in music performance
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Sofia Serra |
2024 |
Article | Increased body movement equals better performance? Not always! Musical style determines motion degree perceived as optimal in music performance
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Helena Marinho |
2024 |
Article | Attitudes in music practice: a survey exploring the self-regulated learning processes of advanced Brazilian and Portuguese musicians
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Caio Mourão |
2024 |
Article | “Além do mar cruel...”: Canção do Mar e a neomercantilização do ethos da saudade portuguesa
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